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EAR
834P Phono, "normal" fekete MM 174
000 Ft
EAR 834P Phono, "signature" fekete
MM/MC 233 000Ft
EAR 834P Phono, króm, arany MM/MC
340 000 Ft
EAR 88PB Phono két
MM bemenettel! 700 000 Ft
EAR
834L Line fekete 208
000 Ft
EAR
834L Line Deluxe 370 000 Ft
EAR
864 elöerösítö 640
000 Ft
EAR
864B elöerösítö (Balanced)
670 000 Ft
Paravicini
324 phono elöerösítö (tranzisztor)
785 000 Ft
Postive Feedback Online Issue 6: In conclusion,
other solid state phono stages I've used sound more or less
hi-fi when one pushes the volume upward or the music contains
hard-to-track crescendos. Not the E.A.R. What I used to believe
was mistracking isn't. I could not cause this audio jewel
to lose its iron-fisted control and stability at any volume,
and believe me I tried! Nor does it sound the slightest bit
ripe or artificially warm, or exhibit any dulling of transient
attack, as many tube phono stages do. The E.A.R. 324 phono
stage gives you the musical truth, the whole musical truth,
and nothing but the musical truth. This beautifully crafted
and extraordinary phono stage is Class A all the way. It has
my highest recommendation. Robert
H. Levi
Stereophile
teszt, Art Dudley
Paravicini
312 line és phono elöerösítö
(tranzisztor) 3 600 000 Ft
Enjoy
the Music teszt
EAR912 Csöves elöfok
1 600 000 Ft
MC4 trafó 270
000 Ft
MC3
teszt itt olvasható
EAR 859 integrált
erösítö 13 W, Enhanced Triode üzemmód,
pure Class A 870 000 Ft
EAR 869 integrált erösítö
15W, Enhanced triode üzemmód 960 000 Ft
EAR
834 integrált erösítö,
40W Paralell Push-Pull pure Class A üzem 840
000 Ft
EAR 834T hibrid integrált erösítö
2x 100W 890 000 Ft
EAR 8L6 integrált
erösítö 50W, push-pull, pure class
A 900 000 Ft
EAR 899 integrált erösitö
70W, KT90 csövek, bridgelhetö 1 060 000
Ft
EAR
V-20 20W integrált erösítö,
Enhanced Triode üzemmód 980 000 Ft
DVD
Center tesztje
Stereophile,
Art Dudley tesztje
EAR 534 50W
végerösítö fekete elölap, tiszta
A-osztályú 940 000 Ft
Listener 2000 Július- Augusztusi
szám, Art Dudley cikke:
This amp’s beautifully, realistically
full bass makes the orchestral drum accents - loud and soft
alike - more scarily believable. And the E.A.R. gets across
the full gamut of orchestral colors, not to mention Mahler’s
wide-ranging and not so simple emotional palette.
And, yes, the E.A.R. does stereo. It has a glorious sense
of scale, and instrumental and vocal images are solid, and
stay put. Stage depth is insanely good, and while that’s
not the sort of thing I usually care so much about, I couldn’t
help but be impressed.
Another sonic achievement: When people describe a tube amplifier
as "liquid," this surely is the sort of thing they
have in mind. In my system, the E.A.R. never once sounded
"colored" in the pejorative sense-or any sense,
for that matter. It is as clean and extended and essentially
neutral as anything else I’ve heard. But it does make
everything sound smooth and seductive and-well, yeah, liquid.
I never tired of listening to it, and I can’t say that
about everything.
What really surprises me is that, for an amplifier that is,
as I think I’ve made plain, not at the forefront of
rhythmic aplomb, the E.A.R. is extremely dramatic - and, yes,
on all but the most snap-dependent music, totally involving.
The E.A.R. amp distinguishes itself from the competition like
a Bruckner symphony: You hear it and you think-architecture.
Grandeur. Clarity of line. Clarity of purpose. Richly drawn
beauty, for beauty’s own sake. . Living with this amp
was a rich experience I didn’t expect, and which I wasn’t
happy to see come to an end. Recommended, in a tall, Zen kind
of way.
EAR 861 végerösítö
32W, tiszta A-osztály balanced push-pull kiivitel 1
362 000 Ft
The Absolute Sound, Issue 117
Tonal colors are intensely saturated through
the 861.... This rather unusual characteristic is not the
same thing as the golden, romantic glow of some tube electronics....
The EAR does not euphonically soften transients or boundary
definitions, but it presents the core of music with an immediacy
and textural and tonal intensity seldom heard from an audio
component. On music that is principally about sheer sonic
beauty... the EAR is nothing short of enrapturing... Ultimately
there is something more painterly than photojournalistic in
the 861’s presentation.... As beautiful as a photograph
of the English countryside may be, a Constable landscape has
more depth and soul, and can capture an ineffable sense of
time and place. The EAR, in similar fashion, has an unerring
ability to go straight to the emotionally evocative heart
of the musical experience rather than focusing on some of
the more hi-fi qualities cherished by some as a part and parcel
of the audio experience....
EAR
890 végerösítö 70W, KT90
csövek, tiszta A-osztály 1 000 000 Ft
Stereophile
teszt, Art Dudley
Enjoy
the Music online teszt
EAR 509 mono
végerösítö 100W 1 820 000 Ft (monoblokk
pár) opcionálisan szimmetrikus bemenettel is
Magazine Reviews
‘Impressively sleek, “classy”,’ ‘and
emphatically preferred with high end speakers.’ Total
isolation confers and the immediate advantage is that each
channel has it’s own power supply, which reduces signal
distortion, and gives the power – amplification section
infinite channel separation’. The output tubes are industrial
broadcast types.’ ‘There are very unusual things
about this amp. The frequency response and power bandwidth,
with no feedback around the output transformer borders on
the incredible!’ ‘This must be the most fantastic
audio output transformer ever made.’ ‘Test reports
have verified the unit’s remarkable measured performance.’
‘The first thing that hit me – and I mean right
between the ears! – was the truly incredible depth of
the reproduction. Front-to-back perspectives are rendered
with almost shocking realism, and the instruments or voices
have a roundness to them that makes most (other) depth reproduction
sound like cardboard cutouts….flat by comparison.’
‘Musical timbres ……were rendered with remarkable
accuracy.’ ‘Deep-bass reproduction was very tight.’
‘This amplifier is one of the best.’
FURTHER COMMENTS: ‘The specificity of depth reproduction
is as startling as observed.’ ‘The instruments
and voices sound more well-defined. This effect can be addictive
– once you get used to it, it may be hard to give up.’
‘Concerning low bass performance, they do go very low…
and with lots of guts. It’s hard to believe you’re
listening to a tube amp.’ ‘Many music listeners
will feel it makes their speaker sound more like music.’
‘You may find they do wonders for your speakers.’
STEREOPHILE MAGAZINE
‘Most modern valve amplifiers are no more than old designs
rehashed.’ ‘EAR twin mono valve power amplifiers
are different,’ and ‘originate a new design.’
‘They are unique, sophisticated designs that don’t
plagiarise application notes and don’t rely on the copying
of other manufacturers circuits.’ ‘The output
transformer and the output stage design are the piece de resistance
of this amplifier.’ ‘The transformers use a thirteen
section bifilar wound bobbin on a grain oriented core and
is massive.’ ‘The EAR amps appear to use about
the most sophisticated output stage ever designed.’
TEST REPORT: ‘The power bandwidth was astonishing, extending
from 8Hz-100KHz.’ ‘The frequency response was
flat, and there were no peaks, oscillations or funnies up
to, or past 100KHz’. ‘And they don’t use
masses of overall feedback to achieve this either.’
‘I think the (astonishing bass distortion residual)
figure must break all records for 100W output form a valve
amplifier.’ ‘There’s no doubt that the circuitry
and output transformer do offer the promised performance –
quite amazing.’ ‘The measurements show just how
well valves can perform in objective terms, and this achievement
is in itself fascinating.
SUBJECTIVE REPORT: ‘The EAR’s gave a great sense
of image depth and a feeling of dimension to the stereo stage.’
‘They certainly don’t lack a beautiful feeling
of openness and clarity.’ ‘The bottom-end delivery
surprised me when using the amplifiers. ‘They have one
of the tightest and most powerful bass deliveries I have heard
for a long time.’ ‘They have ample power, and
don’t show any sign of strain, even when delivering
very high levels.’ ‘I found it telling that a
large number of people (involved in the music business) simply
preferred the EAR’s to any other model in a group of
amplifiers with which they were being compared over a period
of a few months.’ ‘Many of the best solid-state
amplifiers currently available did not have the sense of depth
and solidity of imaging, nor did they have the bass delivery,
of the EAR’s.’
CONCLUSION: ‘After a few months use I am still finding
out how good and how different the EAR’s can sound.’
‘They are beautiful to listen to and bring back the
excitement and dynamic quality to music that other amplifiers
hid so well. They also bring back life and the dynamic quality
in reviewers suffering boredom.’ HI-FI NEWS & RECORD
REVIEW
‘THE LOUD, THE FAT AND THE SUBTLE’ – review
describing EAR amplifiers in professional studio use, driving
both playback monitors and the mastering cutter head itself!’
‘Discs mastered at Island Records’ Sound Clinic
have been cut on a system which features electronics designed
by Esoteric Audio Research.’ ‘EAR amplifiers offer
state-of-the-art performance. ‘They are fast, dynamic
and powerful, with an elegant visual design and a high standard
of finish.’ ‘They have a very important emphasis
on phase coherence.’ ‘The vocal quality was sweeter
and more natural, with no false bass end.’ ‘The
mid-range clarity and openness separated similar-sounding
instruments beautifully and made dense clusters of multi-tracked
instruments more coherent.’ ‘Voice quality was
excellent, with plenty of detail and inflexion preserved.
Bass instruments came over as deep and powerful, always sounding
clean and controlled, and allowed the more delicate aspects
of the signal – such as ambience and instrumental timbre
– to shine through. Treble end was ‘fast’
and detailed without being wearing.’ ‘Tracks sounded
firm, detailed and ‘together’ with a sense of
‘continuity’ or ‘momentum’.'''' HI-FI
NEWS & RECORD REVIEW
‘The EAR is fast’ and ‘lays (noise and hum
level) problems to rest with a very good figure equivalent
to – 106dB below 100W.’ ‘The tight delivery
and control of bass notes, totally unlike the flabby boom
heard from so many valve amplifiers, contributed to the clear
and open sound and powerful bass.’ ‘The EAR gave
excellent imaging both of stereo staging and of depth, and
a transparency that made listening through this amplifier
very rewarding.’ STAN CURTIS
‘The EAR excels in overall stereo staging’ and
‘in the reproduction of dynamic contrasts. Its overall
dynamic range gives one the impression that it has twice the
rated horsepower.’ THE ABSOLUTE SOUND
‘EAR is responsible for much of the electronics in The
Sound Clinic (Island Records mastering studio), and the record
mastering system that makes The Sound Clinic unique.’
‘What The Sound Clinic has accomplished was later dramatically
demonstrated on the cutting room monitoring equipment,’
‘The Sound Clinic is no ordinary mastering facility.’
‘This began when the studio manager and mastering engineer
who runs The Sound Clinic visited an EAR equipped demonstration
room at an exhibition. “I had been shocked at Hi-Fi
exhibitors in little rooms filled with people who all thought
they knew it all.” “I found the whole thing really
a bit unnerving, coming from a professional environment where
people don’t spend all their time bitching about each
other.” “All the others sounded like they were
trying – EAR succeeded.” ‘The EAR disc cutting
electronics are the key part of The Sound Clinic’s mastering
system.’ ‘No amount of feedback will cure high
resonance (normally induced by the cutter.)’ ‘EAR
modelled the mechanical attributes of the cutter system, predetermined
the resonance coloration’s and cancelled them electronically.’
“There was a kind of unison between what EAR was doing
and what we wanted, what we had been working towards all along.”
For the Studer mastering recorders EAR developed “Class
A line drivers that sound far better than any permutation
Studer have ever made.” “They are stunning.”
“We get more headroom, slew rate is very fast, they’re
cleaner and quieter.” HI-FI ANSWERS
EAR 509 Gold mono végerösítö
100W 2 050 000 Ft (monoblokk pár)
opcionálisan szimmetrikus bemenettel is.
Szimmetrikus bemeneti opció EAR 509
monoblokkhoz (monoblokkonként) 50 000 Ft
Paravicini
M100 végerösítö (tranzisztor)
7 500 000 Ft
HP 4 fejhallgató erösítö
700 000 Ft
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